Q. Why do you mainly use clay?
Clay is soft and malleable, allowing me to shape it quickly without much stress. I enjoy how it enables me to express the images that come to mind by utilizing its unique characteristics. However, I don’t limit myself to clay. I use anything that effectively captures the shape, texture or idea I envision. So far, I’ve worked with urethane foam, foam clay, beads, wire and epoxy.
Q. What’s most important when working?
I think the most important thing would be, “Is the result of the work sensorily interesting?” First, my childish and animalistic side seeks continuous fun and stimulation, so I try to sufficiently express that in my work. Second, I always work with the mindset that there are people who appreciate what I create. I feel like the more sensory information they get from my work, the more actively they communicate with me.
Q. What message do you want people to take from your work, and what are your future aspirations?
I focus more on providing sensory stimulation than conveying specific meanings through my work―the more diverse and impactful the stimulation, the better. I hope it adds vibrancy to people’s daily lives.
My goal is to become a globally recognized artist. To achieve this, I plan to carry out projects I’ve prepared, starting with my first solo exhibition in Taiwan, which will be held from Nov. 16 to Dec. 1 at the Taipei Gallery.
Jung Jisook